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unintentionally, it’s fair to assume) a different Anglo-American relationship, one based in the long-term economic interaction and cultural exchange between the British and American film industries. This chapter looks closely at this dynamic but highly uneven interaction. The specter of Hollywood features strongly in writing about British cinema history, but Britain has generally been given a lower profile in historical accounts of American film. In part, this reflects the general imbalance of Anglo-American cultural and economic relations in the twentieth century and beyond
. Winsten, ‘ The Pied Piper ’, p. 34. 49 See M. Lawrence , ‘“ Bombed into Stardom!”: Roddy McDowall, “British Evacuee Star” in Hollywood ’, Journal of British Cinema and Television , 12 : 1 ( 2015 ), pp. 45 – 62 ; K. Cameron , ‘ Monty Wooley in a Gentle Role ’, Sunday News (9 August 1942 ), p