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useful references for studying French cinema and its history of representing the Second World War. Recent works from Frodon ( L’age moderne du cinéma français , 1995 ), Fournier Lanzoni ( French Cinema: From Its Beginnings to the Present , 2002 ), Jeancolas ( L’histoire du cinéma français , 2005 ) and McLaughlin ( French War Films and National Identity , 2010 ) demonstrate the manner in which an inclusive approach can canvas many different lines of inquiry: social, historical and cinematic studies. We must also mention the works of Lindeperg, Langlois and Hewitt

in Reframing remembrance