Search results
, 44 . 1 : 43–8 . ____. 2000c. ‘Inner Material/Material’ . The Drama Review , 44 . 1 : 36–42 . Klein , Susan Blakely . 1988 . Ankuko Buto: The Premodern and Postmodern Influence on the Dance of Utter Darkness. Ithaca, NY : Cornell East Asia Program . Lunberry , Clark . 2006 . ‘East meets West meets East: Dreaming
specifically Thai spiritual entities, such as phii krasue (the filth-eating spirit in the shape of a flying female head with entrails) or phii pob (the liver-devouring hungry ghost), whose representations do not fare well beyond Thailand, or South-East Asia. Thai horror comedies utilise local modes of narrative and frequently rely on the personal charisma of local comedians, the value of which is usually
’. Conclusion: monetising failure Read as a continuous narrative, all three films taken in sequence tell the story of the gradual neoliberalisation of West/Germany, each with a different deployment of gothic tropes in service of various thematic concerns. As several East Asian economies, Britain and the USA were pursuing a dramatic turn towards neoliberal