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Abstract only
Joseph McGonagle

established topic in French film studies, which has documented the increasing visibility afforded this section of French society since the 1980s. Rather than consider Maghrebis and those of Maghrebi heritage as one sole category – and consequently run the risk of eliding important differences between them – all the works I consider focus specifically on how people of Algerian heritage fare in contemporary French visual culture. Furthermore, as the depiction of Maghrebis and those of Maghrebi heritage in contemporary French cinema is now so well documented, this chapter

in Representing ethnicity in contemporary French visual culture