Search results

You are looking at 1 - 1 of 1 items for :

  • "L'Eternel retour" x
  • Manchester Medieval Studies x
  • Manchester Film and Media Studies x
  • Refine by access: All content x
Clear All
Abstract only
Anatomy of a metaphor
John M. Ganim

characteristics can be found in medieval movies. They also distinguish film noir from other series, in the course of which they mention Jean Delannoy and Jean Cocteau’s L’Eternel Retour (1943) as an example of an item in a series involving ‘mythic evasions’. Modernising Tristan and Isolde in contemporary dress, Cocteau dramatised the public and private conflicts inherent in the plot, emphasising its dark

in Medieval film