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Piero Garofalo, Elizabeth Leake, and Dana Renga

even includes a surprisingly bad performance (one of his last) by Volonté’. A History of Italian Cinema (New York and London: Continuum, 2009), p. 248. 48 Millicent Marcus, Italian Film in the Light of Neorealism (Princeton:  Princeton University Press, 1986), pp. 340–​1. 49 Marcus argues that the State is uninterested in the South indicting Italy’s colonial pursuits in North Africa. 50 Modleski, ‘Clint Eastwood and Male Weepies’, 154, original italics. 51 Modleski, ‘Clint Eastwood and Male Weepies’, 150. 52 In a letter in which he discusses the screenplay

in Internal exile in Fascist Italy