even includes a surprisingly bad performance (one of
his last) by Volonté’. A History of Italian Cinema (New York and London: Continuum,
2009), p. 248.
48 Millicent Marcus, Italian Film in the Light of Neorealism (Princeton: Princeton
University Press, 1986), pp. 340–1.
49 Marcus argues that the State is uninterested in the South indicting Italy’s colonial
pursuits in North Africa.
50 Modleski, ‘Clint Eastwood and Male Weepies’, 154, original italics.
51 Modleski, ‘Clint Eastwood and Male Weepies’, 150.
52 In a letter in which he discusses the screenplay