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Richard Wilson

these last plays that itself provides a solution, Free Will concludes, to the question they pose concerning technology, in the immanence of an art so humanly ‘warm’ [ Winter’s Tale, 5,3,109 ] that the audience grants it the royal ‘pardon’ [ Tempest, Epi.19 ] that it craves. In Paul Auster’s 2009 novel Invisible the poet protagonist discovers too late that the pact he

in Free Will