This introduction to the Film Studies special issue on Sex and the Cinema considers the special place of sex as an object of inquiry in film studies. Providing an overview of three major topic approaches and methodologies – (1) representation, spectatorship and identity politics; (2) the increasing scrutiny of pornography; and (3) new cinema history/media industries studies – this piece argues that the parameters of and changes to the research of sex, broadly defined, in film studies reflect the development of the field and discipline since the 1970s, including the increased focus on putatively ‘low’ cultural forms, on areas of film culture beyond representation and on methods beyond textual/formal analysis.
The Kulmhof extermination camp in Chełmno nad Nerem was the first camp set up by the Nazis to exterminate Jews during the Second World War. The history of Kulmhof has long been an area of interest for academics, but despite thorough research it remains one of the least-known places of its kind among the public. Studies of the role of archaeology in acquiring knowledge about the functioning of the camp have been particularly compelling. The excavations carried out intermittently over a thirty-year period (1986–2016), which constitute the subject of this article, have played a key role in the rise in public interest in the history of the camp.
Human Remains and Violence: An Interdisciplinary Journal is a biannual, peer-reviewed publication which draws together the different strands of academic research on the dead body and the production of human remains en masse, whether in the context of mass violence, genocidal occurrences or environmental disasters. Inherently interdisciplinary, the journal publishes papers from a range of academic disciplines within the humanities, social sciences and natural sciences. Human Remains and Violence invites contributions from scholars working in a variety of fields and interdisciplinary research is especially welcome.
Film Studies is a refereed journal that approaches cinema and the moving image from within the fields of critical, conceptual and historical scholarship. The aim is to provide a forum for the interdisciplinary, intercultural and intermedial study of film by publishing innovative research of the highest quality. Contributions from diverse perspectives that are formed by the crossing of institutional and national boundaries are encouraged.
Introduction Artist–academic collaborations are becoming increasingly popular in socially engaged research. Often, this comes from a drive to ‘have impact’ outside of academia, as creative pieces are often seen as more engaging and accessible for non-specialised audiences. The impact on collaborators (both on the collaborating ‘researchers’ and ‘creatives’) also comes into play here, as interdisciplinary work could be a form of re-thinking how we
The Journal of Humanitarian Affairs is an exciting, new open access journal
hosted jointly by The Humanitarian Affairs Team at Save the Children UK, and
Centre de Réflexion sur l’Action et les Savoirs Humanitaires MSF (Paris) and the
Humanitarian and Conflict Response Institute at the University of Manchester. It
will contribute to current thinking around humanitarian governance, policy and
practice with academic rigour and political courage. The journal will challenge
contributors and readers to think critically about humanitarian issues that are
often approached from reductionist assumptions about what experience and
evidence mean. It will cover contemporary, historical, methodological and
applied subject matters and will bring together studies, debates and literature
reviews. The journal will engage with these through diverse online content,
including peer reviewed articles, expert interviews, policy analyses, literature
reviews and ‘spotlight’ features.
Our rationale can be summed up as follows: the sector is growing and is facing severe ethical and practical challenges. The Journal of Humanitarian Affairs will provide a space for serious and inter-disciplinary academic and practitioner exchanges on pressing issues of international interest.
The journal aims to be a home and platform for leading thinkers on humanitarian affairs, a place where ideas are floated, controversies are aired and new research is published and scrutinised. Areas in which submissions will be considered include humanitarian financing, migrations and responses, the history of humanitarian aid, failed humanitarian interventions, media representations of humanitarianism, the changing landscape of humanitarianism, the response of states to foreign interventions and critical debates on concepts such as resilience or security.
From 2010 to 2013 the Charité Human Remains Project researched the provenance of the remains of fifty-seven men and women from the then colony of German South West Africa. They were collected during German colonial rule, especially but not only during the colonial war 1904–8. The remains were identified in anthropological collections of academic institutions in Berlin. The article describes the history of these collections, the aims, methods and interdisciplinary format of provenance research as well as its results and finally the restitutions of the remains to Namibia in 2011 and 2014.
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.
( Fédération Internationale des Droits de l’Homme et al. , 1993 ). Just over a year later, of course, supporters of the Rwandan government launched a wave of violence whose status as genocide could not be disputed. In just over three months, soldiers, police, and civilian militia groups killed an estimated 80 per cent of the Tutsi then living in Rwanda. In the aftermath of this horrific violence, HRW and FIDH undertook a joint research project to explain how genocide on this magnitude could be possible just a few decades after the pledge of ‘never again’ that emerged from
Research into the governance of dead bodies, primarily focused on post-conflict contexts, has often focused on the aspects of the management of dead bodies that involve routinisation, bureaucratisation and order. Less attention has been paid to the governance of the dead in times of relative peace and, in particular, to the aspects of such work that are less bureaucratised and controlled. This article explores the governance of dead bodies in pandemic times – times which although extraordinary, put stress on ordinary systems in ways that are revealing of power and politics. Observations for this article come from over fifteen years of ethnographic research at a medical examiner’s office in Arizona, along with ten focused interviews in 2020 with medico-legal authorities and funeral directors specifically about the COVID-19 pandemic. The author argues that the pandemic revealed the ways in which the deathcare industry in the United States is an unregulated, decentralised and ambiguous space.