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Martin Ferguson Smith

painting terrain”. 43 Unfortunately his visit to Guadix that year was not the success she and he had hoped. In a letter to her Portuguese friend Luiz Marques in July 1949, just after Hillier had returned from Spain, she writes: Tristram Hillier, the artist, was disgusted because, when he went to the Guadix hill country to paint it (he is very good) the children surrounded him, threw stones and dirt, upset his easel, and made themselves so tiresome that he gave it up and went back to

in In and out of Bloomsbury
Biographical essays on twentieth-century writers and artists

The book contains eleven essays, with an introduction and index. Six of the essays focus chiefly on four pivotal members of the influential “Bloomsbury Group” – the artists Roger Fry and Vanessa Bell, the art critic Clive Bell, and the writer Virginia Woolf. Significant new light is shed on them, partly through the presentation of previously unpublished pictures, photographs, and texts, partly through the fresh examination of relevant manuscripts and images. At the same time the life and work of Fry’s wife, the artist Helen Coombe, and her feminist friend the suffragette-supporting inspector of prisons Mary Louisa Gordon, who were never “Bloomsberries”, receive close attention. The five non-Bloomsbury essays too are based on primary source-materials, including previously unpublished texts and images. The first presents thirteen letters from the British writer Rose Macaulay to the Irish poet and novelist Katharine Tynan. It is followed by two essays about the prodigious teenage talents and achievements of Dorothy L. Sayers, destined for fame as a detective novelist and religious writer. The penultimate piece is about the exotic origin and eventful life of Richard Williams Reynolds, who taught J. R. R. Tolkien at school; and the last illuminates the artist Tristram Hillier and especially the personally and professionally important first visit he made to Portugal in 1947. The collection combines homogeneity and variety, and this combination contributes to a rich and balanced picture of the cultural scene in the first half of the twentieth century.

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Martin Ferguson Smith

an interesting exchange about the effect of colour on the mind and the possibility of its therapeutic use in cases of mental illness. Mental health issues crop up also in several other essays: in 1 and 6 , again with regard to Helen; in 7 , in relation to Pamela Hinkson’s The Victors , a novel based on the depression and suicidal thoughts experienced by one of the author’s soldier-brothers after the First World War; and in 11 with respect to Tristram Hillier, whose known history of depression started

in In and out of Bloomsbury