Search results
This article aims to shed light on the post-mortem practices for Palestinian dead bodies when there is suspicion of human rights violations by Israeli military forces. By focusing on the case of Omran Abu Hamdieh from Al-Khalil (Hebron), the article explores the interactions between Palestinian social-institutional agents, Israeli military forces and international medico-legal agents. Drawing on ethnographic and archival data, the article explores how the intersectionality between the various controlling powers is inscribed over the Palestinian dead bodies and structures their death rites. The article claims that inviting foreign medico-legal experts in the Palestinian context could reveal the true death story and the human rights violations, but also reaffirms the sovereignty of the Israeli military forces over the Palestinian dead and lived bodies.
International interventions in Bosnia and Herzegovina, that ultimately brought the war to a standstill, emphasised recovering and identifying the missing as chief among the goals of post-war repair and reconstruction, aiming to unite a heavily divided country. Still, local actors keep,showing that unity is far from achieved and it is not a goal for all those involved. This paper examines the various actors that have taken up the task of locating and identifying the missing in order to examine their incentives as well as any competing agendas for participating in the process. These efforts cannot be understood without examining their impact both at the time and now, and we look at the biopolitics of the process and utilisation of the dead within. Due to the vastness and complexity of this process, instead of a conclusion, additional questions will be opened required for the process to keep moving forward.
This article will investigate the process of confronting death in cases of the disappeared of the last military dictatorship in Argentina. Based on the exhumation and identification of the body of a disappeared person, the article will reflect on how the persons social situation can be reconfigured, causing structural changes within the family and other groups. This will be followed by a discussion of the reflections generated by the anthropologist during his or her interview process, as well as an investigation into the authors own experiences in the field. This intimate relationship between the anthropologist and death, through the inevitable contact that takes place among the bodies, causes resonances in the context both of exhumations and of identifications in the anthropologists wider fieldwork.
This article describes the brutalisation of the bodies of Tutsi and Jewish victims in 1994 and during the Second World War, respectively, and contrasts the procedures adopted by killers to understand what these deadly practices say about the imaginaries at work in Rwanda and Poland. Dealing with the infernalisation of the body, which eventually becomes a form of physical control, this comparative work examines the development of groups and communities of killers in their particular social and historical context. Different sources are used, such as academic works, reports from victims organisations and non-governmental organisations, books, testimonies and film documentaries.
Established during the Guatemalan Peace Process, the Oslo Accord contemplates the question of compensating the victims of internal armed conflict. Not only was this accord founded on the principles of victims rights, but it also intends to contribute to the democratic reconstruction of Guatemalan society through a process of recognition of victims status and memory – intended to have a reconciling function. The article focuses on the work of two organisations implementing the Oslo Accord and aims to analyse the discourses and practices of the local actors and their perception of the application of victims rights. Civil society actors and members of the National Compensation Programme demonstrate different approaches both in practical work and in representations of what is right. However, revendication of local cultural values is present in all actors discourse, revealing their ambiguous position in regard to state government.
Truth commissions are widely recognised tools used in negotiation following political repression. Their work may be underpinned by formal scientific investigation of human remains. This paper presents an analysis of the role of forensic investigations in the transition to democracy following the Brazilian military governments of 1964–85. It considers practices during the dictatorship and in the period following, making reference to analyses of truth commission work in jurisdictions other than Brazil, including those in which the investigation of clandestine burials has taken place. Attempts to conceal the fate of victims during the dictatorship, and the attempts of democratic governments to investigate them are described. Despite various initiatives since the end of the military government, many victims remain unidentified. In Brazil, as elsewhere, forensic investigations are susceptible to political and social influences, leading to a situation in which relatives struggle to obtain meaningful restitution and have little trust in the transitional justice process.
Both historical and contemporary records of mass contagion provide occasions for visibility to persons who otherwise remain little recognised and even less studied: those who bury the dead. While global reports attest to self-advocacy among cemetery workers in the current COVID-19 pandemic, the psychological complexities of their labour go virtually unseen. Findings on the experiences of those doing such work reveal a striking contrast. While societal disavowal often renders their task as abject and forgettable, those who inter the remains frequently report affective connections to the dead that powerfully, and poignantly, undermine this erasure. Acknowledging such empathic relationality allows us to look at this profession in areas where it has never been considered, such as psychoanalytic work on ‘mentalisation’ or in contemporary ethics. The article concludes with an example from the accounts of those who have buried the dead in the massed graves on New York’s Hart Island.
There are many factors at work in the iconography of human remains. Some of those frequently discussed are aesthetic criteria, iconographic traditions and specific contingencies, whether political (for example in war paintings), symbolic (essential for transi images) or cultural. There is, however, one factor that is rarely mentioned, despite its centrality: the regime of value associated with corpses. Christ’s body is not painted in the same way as that of a departed relative or that used in a human dissection. Artists choose a suitable iconography depending on how the remains are perceived. This criterion became absolutely crucial in contexts such as nineteenth-century France, when attitudes to corpses underwent major changes.
This article will query the ethics of making and displaying photographs of human remains. In particular, we will focus on the role of photography in constituting human remains as specimens, and the centrality of the creation and circulation of photographic images to the work of physical anthropology and bioarchaeology. This work has increasingly become the object of ethical scrutiny, particularly in the context of a (post)colonial politics of recognition in which indigenous people seek to recover dominion over their looted material heritage, including the remains of their dead. This ethical concern extends to the question of how and under what circumstances we may display photographs of human remains. Moreover, this is not just a matter of whether and when we should or should not show photographs of the remains of the dead. It is a question of how these images are composed and produced. Our discussion of the ethics of the image is, therefore, indivisible from a consideration of the socio-technical process by which the photographic image is produced, circulated and consumed.
Research into the governance of dead bodies, primarily focused on post-conflict contexts, has often focused on the aspects of the management of dead bodies that involve routinisation, bureaucratisation and order. Less attention has been paid to the governance of the dead in times of relative peace and, in particular, to the aspects of such work that are less bureaucratised and controlled. This article explores the governance of dead bodies in pandemic times – times which although extraordinary, put stress on ordinary systems in ways that are revealing of power and politics. Observations for this article come from over fifteen years of ethnographic research at a medical examiner’s office in Arizona, along with ten focused interviews in 2020 with medico-legal authorities and funeral directors specifically about the COVID-19 pandemic. The author argues that the pandemic revealed the ways in which the deathcare industry in the United States is an unregulated, decentralised and ambiguous space.