Search results

You are looking at 1 - 10 of 865 items for :

  • "aesthetics" x
  • Literature and Theatre x
  • Refine by access: All content x
Clear All
Writing, politics, and culture in England, 1639– 89

Aesthetics of contingency provides an important reconsideration of seventeenth-century literature in light of new understandings of the English past. Emphasising the contingency of the political in revolutionary England and its extended aftermath, Matthew Augustine challenges prevailing literary histories plotted according to structural conflicts and teleological narrative. In their place, he offers an innovative account of imaginative and polemical writing, in an effort to view later seventeenth-century literature on its own terms: without certainty about the future, or indeed the recent past. In hewing to this premise, the familiar outline of the period – with red lines drawn at 1642, 1660, or 1688 – becomes suggestively blurred. For all of Milton’s prophetic gestures, for all of Dryden’s presumption to speak for, to epitomise his Age, writing from the later decades of the seventeenth century remained supremely responsive to uncertainty, to the tremors of civil conflict and to the enduring crises and contradictions of Stuart governance.

A study of major writings from the Personal Rule to the Glorious Revolution and beyond, this book also re-examines the material conditions of literature in this age. By carefully deciphering the multi-layered forces at work in acts of writing and reception, and with due consideration for the forms in which texts were cast, this book explores the complex nature of making meaning in and making meaning out of later Stuart England.

Open Access (free)
Between Adorno and Heidegger
Joanna Hodge

13 Joanna Hodge Aesthetics and politics: between Adorno and Heidegger Antinomies of reason The alignments of T. W. Adorno to the protracted, difficult process of coming to terms with a broken Marxist inheritance and of Martin Heidegger to the Nazi politics of rethinking the human might seem to leave them at opposite non-communicating poles of political difference.1 Their views on aesthetics seem similarly starkly opposed, in terms both of judgements and of the place of aesthetics within the philosophical pantheon. Aesthetic theory for Adorno marks out a domain of

in The new aestheticism
James Thompson

caring for and observing the care for Antoine. It is an enquiry into the possible shape of an aesthetics of care , drawn from the collision of professional practice, personal politics and domestic circumstances that inevitably occurred when a Congolese drama worker, with whom I had conducted theatre workshops in the DRC, ended up sharing my house. The political, ethical and ultimately intimate challenge this made forced me to rethink the boundaries of my practice. There is no claim in this writing that the experience was in any way easy, heroic or exemplary. It was in

in Performing care
James Thompson

In this chapter, I develop some of the thinking introduced in an article I wrote in 2015 around what I described as an ‘aesthetic of care’ (see Chapter 2 of this edited collection). To speak of care as a mode of aesthetics is to make two related claims. First, that reciprocal acts of caring, whether formal, informal, interpersonal or collective, have a sensory, crafted quality that could be called an aesthetic. Caring, thus, I suggest, has an artistry and there are inspirational carers who exhibit a virtuosity in the way they care for and with others. As

in Performing care
The sense of an ending in Jeanette Winterson’s The Stone Gods
Adeline Johns-Putra

9 The unsustainable aesthetics of sustainability: the sense of an ending in Jeanette Winterson’s The Stone Gods Adeline Johns-Putra Jeanette Winterson’s 2007 novel, The Stone Gods, is a critique of progress, both in the general sense of movement, journeying, or going forward, and in the specialised sense of human development, particularly the privileging of economic and scientific improvement that is often called the myth or narrative of progress. In the spirit of so many of Winterson’s novels, The Stone Gods places its several protagonists on journeys, most

in Literature and sustainability
Michael Chaney
and
Jason Lindquist

‘The Gothic Aesthetics of Eminem’ examines key videos, lyrics, and performances of the white hip-hop celebrity, noting the reoccurrence of such Gothic tropes and narrational strategies as self-replication, the spectacle of monstrous proliferation, the spread of fakery and the counterfeit, as well as the abjection of women. The authors compare Stoker‘s Dracula to Eminem, whose cultural menace similarly functions to proselytise white young men into clones, refracting the racial and sexual anxieties of Stoker‘s novel. The article moves from a consideration of the rapper‘s songs and videos ‘My Name Is’, ‘The Real Slim Shady,’ and ‘Stan’ to the film, 8 Mile.

Gothic Studies
James Uden

Scholars of eighteenth-century literature have long seen the development of the Gothic as a break from neoclassical aesthetics, but this article posits a more complex engagement with classical imitation at the origins of the genre. In Horace Walpole’s formative Gothic novel The Castle of Otranto, his Gothic drama The Mysterious Mother, and in the curiosities in his villa, classical elements are detached from their contexts and placed in startling and strange juxtapositions. His tendency towards the fragmentation of ancient culture, frequently expressed through the imagery of dismemberment, suggests an aesthetic not of imitation, but of collection. Moreover, rather than abandoning or ignoring the classical, Walpole reconfigures literary history to demonstrate elements of monstrosity and hybridity already present in Greek and Roman texts.

Gothic Studies
Introduction
Carl Lavery

, in my view, calls out for further clarification: his commitment to a utopian view of revolution, characterised by anti-Statism, aesthetics and radical equality. Unlike other critics such as Jérème Neutre ( 2002 ), Eric Marty ( 2003 ) and Bharucha who, with very different agendas in mind, have stressed how Genet politics are conditioned by a hatred of the West, I want to emphasise, instead, his commitment to inclusivity. For me, Genet’s rejection of the West has less do with an attraction to the idea of the global South, as Neutre implies, than it does with

in The politics of Jean Genet’s late theatre
Daniel Orrells

10 •• Decadent aesthetics and Richard Marsh’s The Mystery of Philip Bennion’s Death Daniel Orrells Richard Marsh was writing at a particular moment in the history of the commodity and mass consumption.1 The fin de siècle witnessed a specific interest in objects – curios – the subject of much of Marsh’s writing. The fascination with the curio reflected changes in habits and cultures of collecting. In France in post-revolutionary fervour, as Janell Watson outlines, ‘many precious decorative art objects, luxurious household goods, and religious cult objects f

in Richard Marsh, popular fiction and literary culture, 1890–1915
Mary Shelley‘s Frankenstein
Jessie Givner

This essay examines the Gothic trope of monstrosity in a range of literary and historical works, from writings on the French Revolution to Mary Shelleys Frankenstein to Dr. Jekyll and Mr. Hyde. I argue that, in the various versions of the Frankenstein myth, what has ultimately come to seem most monstrous is the uncanny coupling of literary and political discourse. Beginning with Jacobin and anti-Jacobin discourse, this essay traces the tendency of literary tropes to turn into political tropes. In Frankenstein and in the Victorian rewritings of Shelley‘s novel, the trope of monstrosity functions, with remarkable consistency, as a mechanism which enables the unstable and often revolutionary turns between aesthetic and ideological discourse. Because the trope of monstrosity at the heart of Frankenstein exists on the border between literary and political discourse that trope has emerged as one of the most crucial forces in current critical theoretical debates about the relationship between aesthetics and ideology.

Gothic Studies