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Yvette Hutchison

‘rainbow nation’ 153 the contextual frame or implications around the exhibition’s various venues, which were very much within the domain of state-sanctioned archives: art galleries, museums and the Castle.18 Nevertheless, the Project Media Report concluded that the significant press coverage played ‘a critical role in bringing new audiences to the host institutions and in raising awareness of the significance of the manuscripts and the part played by the South African government in their preservation’ (Heritage Agency, 2009: 5). This conclusion is important when one

in South African performance and archives of memory