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Zheng Yangwen

: University of Chicago Press, 2006); Victor Fan, Cinema Approaching Reality: Locating Chinese Film Theory (St Paul: University of Minnesota Press, 2015); Bao Weihong, Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (St Paul: University of Minnesota Press, 2015). 34 Michael Berry, Speaking in Images: Interviews with Contemporary Chinese Filmmakers (New York: Columbia University Press, 2005); Zhang Zhen, ed., The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century (Durham: Duke University Press, 2007

in Ten Lessons in Modern Chinese History
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Brian McFarlane and Anthony Slide

Featuring more than 6,500 articles, including over 350 new entries, this fifth edition of The Encyclopedia of British Film is an invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema.

Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies, and this fifth instalment will be an essential work of reference for universities, libraries and enthusiasts of British cinema.

in The Encyclopedia of British Film