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The Gothic, death, and modernity
Carol Margaret Davison

desires. In this objective, this pioneering scholarly volume aims to be suggestive rather than comprehensive or exhaustive, hoping to lay some necessary and valuable groundwork for future scholarship. While death is always, as Webster Goodwin and Bronfen rightly underscore, misrepresented, as it is ultimately unknowable ( 1993 : 19), cultural engagements with this complex and multifaceted subject that possesses aspects

in The Gothic and death