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The Far East and the limits of representation in the theatre, 1621–2002
Gordon McMullan

Princess, The Guardian , 3 July 2002 . Brown , Paul , ‘“ This thing of darkness I acknowledge mine”: The Tempest and the discourse of colonialism’ , pp. 48–71 in Jonathan Dollimore and Alan Sinfield (eds), Political Shakespeare: Essays in Cultural Materialism . Manchester

in A knight’s legacy
Emily and Arcite in A Midsummer Night’s Dream
Helen Barr

, The Swan at the Well; Susan Green, ‘A mad woman? We are made boys! The Jailer’s Daughter in Two Noble Kinsmen’, in Charles H. Frey (ed.), Shakespeare, Fletcher and the Two Noble Kinsmen (Columbia: University of Missouri Press, 1989), pp.  121–32; Alan Sinfield, ‘Cultural Materialism and Intertextuality: The Limits of Queer Reading in A Midsummer Night’s Dream and Two Noble Kinsmen’, Shakespeare Survey 56 (2003), 67–78; Hugh Richmond, ‘Performance as Criticism: Two Noble Kinsmen’, in Frey, Shakespeare, Fletcher, pp. 163–85; Helen Cooper, ‘Jacobean Chaucer: Two Noble

in Transporting Chaucer
S. H. Rigby

, 20; Dollimore, 1985 : 4, 10; Newton, 1989 : 152-3; Bennett, 1990 :19, 21, 52-3, 69, 72-5, 108, 141. For cultural materialism, see Barrell, 1988 : vii-viii, 12, 36. 23 Lentricchia, 1989 : 234; Greenblatt, 1992 : 3. 24

in Chaucer in context