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Andy Lawrence

constraints of the observational method (see p. 22 ) to interrogate the narrative choices that a filmmaker must make. Techniques learnt through such limitations can be relied upon when things get complicated in the field; they allow for quick and appropriate reaction in a fast-paced documentary scenario, and most importantly they work with a variety of editing styles and modes of documentary. Aesthetics and ethics are closely related. In my own filmmaking I reveal my presence reflexively at moments that are ‘risky’, transgressive and ethically problematic in terms of my own

in Filmmaking for fieldwork