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Kate McLuskie and Kate Rumbold

ritual’ and allow a new relationship between the arts, which were formerly the preserve of an elite or served the superstitious purposes of religion, and citizens who would, he claimed, make ‘revolutionary demands in the politics of art’. The exciting, democratising possibilities of emerging technologies would, as we described earlier, like electricity, ‘reactivate the object reproduced’ and the process

in Cultural value in twenty-first-century England