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The case of Guy and Arnaud de Lummen
Johanna Zanon

in the luxury fashion industry, one can also find them in other sectors, such as the automobile industry. In the famous sleeping beauty fairy tale told in different versions by Charles Perrault, by the Grimm Brothers, and by Walt Disney, the princess was cursed by a wicked fairy godmother, who predicted that she would one day prick her finger on the spindle of a spinning wheel and die. A good fairy softened the curse into a hundred years of sleep, from which only the kiss of a king’s son could awaken her. 1 While Sleeping Beauty epitomizes feminine passivity

in European fashion
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Peter Barry

from fairy tales in other respects’ (p. 65). This potential duplication, then, opens up the Proppian methods used to analyse relatively simple material, and begins to hint at the complexities of characterisation and motivation which form the basis of psychological, realist fiction. In realist fiction, the subordination of character to action is reversed, and roles cannot be simply demarcated as ‘hero’ and ‘villain’. Henry James, the supreme psychological novelist, once said that he wrote not about good and evil, but about ‘good-and-evil’. Hence, in a Henry James

in Beginning theory (fourth edition)
Jack Holland

became the basis for an episode I wrote called ‘Opposition Research’, in which Santos said he didn’t want to run as the ‘brown candidate’, even though that’s where all his support and fundraising potential were. 46 Notwithstanding the distinct televisual and film history of depicting Latino and Hispanic Americans, The West Wing could hardly have been more explicit or prescient in its construction of a narrative arc premised upon the election of a candidate of colour. 47 No wonder Bill Clinton could write Obama off as ‘the biggest fairy-tale’ he had ever seen

in Fictional television and American Politics
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Oliver Daddow

, Littlejohn was perplexed: ‘I simply don’t understand why anyone goes into politics to destroy their own country and hand it over to foreigners.’ In the famous words of Labour leader Hugh Gaitskell, delivered over forty years earlier to describe his opposition to the idea of a federal Europe, Littlejohn chastized the premier for hating ‘this country’ and for being ‘hell-bent on destroying 1,000 years of history’. Quite simply, Littlejohn continued, the French and Germans ‘are not people you can do business with’. His fairy-tale description of the non-choice for the British

in New Labour and the European Union
Marcel Stoetzle

: We the darker ones come even now not altogether empty-handed: there are to-day no truer exponents of the pure human spirit of the Declaration of Independence than the American Negroes; there is no true American music but the wild sweet melodies of the Negro slave; the American fairy tales and folklore are Indian and African; and, all in all, we black men seem the sole oasis of simple faith and reverence in a dusty desert of dollars and smartness. Will America be poorer if she replace her brutal dyspeptic blundering with light-hearted but determined Negro humility

in Beginning classical social theory
Marcel Stoetzle

values of commodities are therefore much less accidental, more societal, than the notion of its ‘simple form’ might suggest (69). This results in what Marx calls the ‘general form of value’. It ‘results from the joint action of the whole world of commodities’ (71) – again, Marx talks about commodities, half tongue-in-cheek, half seriously, as if they were active subjects, like the tin soldiers in The Nutcracker or their descendants in Toy Story. And, again as in those fairy tales, their ‘world’ exerts compulsions just like ours does: ‘every new commodity must

in Beginning classical social theory
The Cosmopolitan Pan-Africanist
Kweku Ampiah

. The eager acceptance by black congregations on Sundays in Baptist churches across America of the fairy-tale of the Exodus is more strange – to borrow Appiah’s expression – than the Pan-Africanists’ concern with race. The nineteenth century ushered in what Du Bois referred to as “the first century of human sympathy – the age when half wonderingly we began to descry in others that transfigured spark of divinity which we call Myself; when … all helplessly we peered into those Other-worlds, and wailed, ‘O World of Worlds, how shall man

in The Pan-African Pantheon
Orian Brook, Dave O’Brien, and Mark Taylor

household ‘had no reading material’. Her father ‘ended up taking us to the library once a week and I just read every fairy tale book in the library. I really got into reading, it opened up another world. It was like I had another life apart from school.’ Even where parents had little or no formal cultural interests or knowledge of how cultural institutions worked, they were still encouraging of Carys by taking her to the library. Her story is of a rich cultural life. The importance of parental support Carys illustrates the dominant narrative from our interviewees

in Culture is bad for you
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A transnational history
Mark Edele

. This interpretation can agree that Stalin could have known about the famine, but interprets his utterances more literally than others: Stalin told a prominent writer who had reported the famine to him that the peasants were on strike against the Soviet regime; 4 he told a Ukrainian communist leader that reports of famine were ‘fairy tales’ only ‘idiots’ believed. 5 While he thus could have known about the famine, he refused to do so – like he wilfully ignored warnings about the German attack in 1941. This interpretation can accommodate Stalin's optimistic later

in Debates on Stalinism
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Brian McFarlane and Anthony Slide

Featuring more than 6,500 articles, including over 350 new entries, this fifth edition of The Encyclopedia of British Film is an invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema.

Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies, and this fifth instalment will be an essential work of reference for universities, libraries and enthusiasts of British cinema.

in The Encyclopedia of British Film