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Hope, fear and time in Troilus and Cressida
Kai Wiegandt

dimension but also tell something about hope and fear more generally, including their relation to the experience of time. In this way, they complicate Shakespeare’s aesthetic strategy of questioning the play’s historicity. I will address this strategy after discussing three points the play makes about hope and fear, namely about their interdependence, about their dependence on an appraisal of the subject

in Love, history and emotion in Chaucer and Shakespeare