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Jack Holland

, brought face to face with Putin’s fictional counterpart. They insisted that the Russian president was ‘not afraid of anyone, except gays’. House of Cards effectively gave the group the platform they had been denied in Russia. The symbolic accosting of Putin, for some, was nothing less than ‘the radical potential’ of the infiltration of popular culture, where ‘international feminism and binge TV’ had merged ‘in a single creative project’. 65 For others, however, despite the good intentions, the show served to further elevate Putin’s Russia. Cristian Nitolu has argued

in Fictional television and American Politics