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A Review of The Amen Corner, 2021
Ijeoma N. Njaka

The author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design, the piece turns to considering the impact of various interpretive materials and the director’s artistic vision in the production. White’s decision to include an epigraph in the production leaves a notable impact, particularly in conversation with Baldwin’s essays, “Why I Stopped Hating Shakespeare” and “The Artist’s Struggle for Integrity.”

James Baldwin Review
Daniel Weinbren

more undergraduates for less money. Methods of delivering learning designed for small elite institutions had to be reformed.108 In this process some of the OU’s solutions to its particular task of distance education began to become relevant to the sector as a whole. As numbers grew so the national and regional offices of the OU took on new roles. The work of co-ordination of students in much of Western Europe was done by one region, another dealt with students in Ireland, a third with postgraduate courses. Devolution in the United Kingdom and regionalisation in

in The Open University