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Style in Nashe’s The Unfortunate Traveller ’, SEL , 6 ( 1966 ), 43 – 57 . 139 King, ‘In Lieu of Democracy’, p. 100. 140 On the ‘medieval’ comedy of Hamlet ’s gravediggers, see Willard Farnham , ‘ The Medieval Comic Spirit in the English Renaissance ’, in Joseph Quincy Adams Memorial Studies , ed. James G. McManaway et al . ( Washington , D.C.: Folger Shakespeare Library , 1948 ), pp. 429 – 37 (pp. 435 – 6 ). 141 See for example Bakhtin, Rabelais and His World , pp. 97–8; and Auerbach, Mimesis , pp. 278–80. Auerbach regards Socrates as a