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Andrew Dix

taking Hong Kong cinema – especially its action genres – as exemplifying the vitality of popular film more broadly. Kam, Louie (ed.) (2010), Hong Kong Culture: Word and Image (Hong Kong: Hong Kong University Press). This collection on mutations of Hong Kong culture following Chinese repossession in 1997 also discusses literature, music and performance art, but devotes considerable space to the situation of cinema now. Marchetti, Gina and Tan See Kam (eds) (2007), Hong Kong Film, Hollywood and the New Global Cinema: No Film Is an Island

in Beginning film studies (second edition)