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Open Access (free)
Lewis Hine’s Photographs of Refugees for the American Red Cross, 1918–20
Sonya de Laat

Introduction Recent interventions in visual theory claim the camera affords the disenfranchised a form of political participation through the civil space opened up by the medium, a space where creator, subject, and spectator intersect ( Azoulay, 2008 ; de Laat, 2019 ). Beyond merely being a technology for producing pictures, the camera is understood as mediating social relations, and as such is an inherently political medium. Crucial to this formulation is visibility: being seen enables participation in a political community, even if only through a

Journal of Humanitarian Affairs
Open Access (free)
Governing Precarity through Adaptive Design
Mark Duffield

An international research initiative run by the Development Learning Programme based at the University of Birmingham. See: www.dlprog.org/research/thinking-and-working-politically-community-of-practice.php . 9 By the same token, elites must have super-brains. 10 Since the mid 2000s, there has been a growing number of computer games and software programmes that claim to allow interested parties to experience what it is like to be a refugee or subject to a disaster. The Darfur content on Google Layers, for

Journal of Humanitarian Affairs