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Marc Geddes

consequently requires practical judgements as well as taken-for-granted or tacit knowledge. This suggests that everyday practices as performances can have a range of elements. In this chapter, I limit my discussion to three (style, speech and space) and draw from one of the founding fathers of dramaturgy, Erving Goffman. Style . Goffman ( 1990 , pp. 34–5) identifies two elements of what I term a

in Dramas at Westminster