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Making Sense of Hogg‘s Body of Evidence
Joel Faflak

This paper explores the occult relationship between modern psychoanalysis and the pre-Freudian psychoanalysis of James Hogg‘s 1824 Gothic novel, The Private Memoirs and Confessions of a Justified Sinner. Haunted by the ghosts of Mesmerism and of Calvinisms rabidly contagious religious fervour, Hogg‘s novel explodes post-Lockean paradigms of the subject for a post-Romantic British culture on the eve of the Empire. Turning back to Scotland‘s turbulent political and religious history, the novel looks forward to the problems of Empire by turning Locke‘s sense-making and sensible subject into the subject of an unconscious ripe for ideological exploitation, a subject mesmerized by the process of making sense of himself.

Gothic Studies
Luz Elena Ramirez

Malcolm and Margaret marry – or whether the publisher manipulated the ending to make the novel more marketable. 4 Lisa Hopkins, ‘Crowning the King, Mourning his Mother: The Jewel of Seven Stars and The Lady of the Shroud ’, in William Hughes and Andrew Smith (eds), Bram Stoker: History, Psychoanalysis and the Gothic (Basingstoke: Macmillan, 1998), pp. 134

in Victorian literary culture and ancient Egypt
Vampirism, Victorianism and collage in Guy Maddin's Dracula – Pages from a Virgin's Diary
Dorothea Schuller

, Marburg: Universitäts-Bibliothek, pp. 183–92. Mighall, R. (1998), ‘Sex, History and the Vampire’, in W. Hughes and A. Smith (eds), Bram Stoker: History, Psychoanalysis and the Gothic , Basingstoke: Macmillan, pp. 62–77. Mitchell, D. (1975

in Monstrous media/spectral subjects
Abstract only
Avril Horner

‘Gotique’anglais, 1764-1824, Paris, Albin Michel [1967]. Massé , MA. ( 2000 ) ‘Psychoanalysis and the Gothic’ , in D. Punter (ed.), A Companion tothe Gothic , Oxford , Blackwell , pp. 229–241 . Mighall , R. ( 1999 ) A Geography of Gothic Fiction: Mapping History’s Nightmares , Oxford , Oxford University Press . Mulvey

in European Gothic
Andrew Smith

Wilde: Deviance, Morality, and Late-Victorian Society . New Haven, CT and London : Yale University Press . Fudge , Erica ( 2010 ). ‘Why it’s easy being a vegetarian’ , Textual Practice ( 24 ( 1 ): 149–66 . Kilgour, Maggie ( 1998 ). ‘Vampiric Arts: Stoker’s Defense of Poetry’ , in Bram Stoker: History, Psychoanalysis and the Gothic , eds. William Hughes and Andrew Smith . Basingstoke : Macmillan , pp. 47–61 . Lombroso , Cesare ( 1876 ). Criminal Man

in Interventions
Abstract only
Marie Mulvey-Roberts

. 27 Cain, Bram Stoker and Russophobia , p. 166. 28 See Victor Sage, ‘Exchanging Fantasies: Sex and the Serbian Crisis in The Lady of the Shroud ’, in William Hughes and Andrew Smith (eds), Bram Stoker: History, Psychoanalysis and the Gothic (Basingstoke: Macmillan, 1998 ), p. 127 and

in Dangerous bodies
Diamonds and curious collectables in the fin-de-siècle fiction of Richard Marsh
Jessica Allsop

the White Worm’, in W. Hughes and A. Smith (eds), Bram Stoker: History, Psychoanalysis and the Gothic (Basingstoke and New York: Palgrave Macmillan, 1998), pp. 188–204; A. Worth, ‘Arthur Machen and the horrors of deep history’, Victorian Literature and Culture, 40 (2012), 215–27; S. Forlini, ‘Modern narratives and decadent things in Arthur Machen’s The Three Impostors’, English Literature in Transition, 1880–1920, 55:4 (2012), 479–98.  2 A notable exception is Aviva Briefel’s ‘Hands of beauty, hands of horror: fear and Egyptian art at the fin de siècle’, Victorian

in Richard Marsh, popular fiction and literary culture, 1890–1915
Abstract only
Julia M. Wright

Hundred Years , ed. William Veeder and Gordon Hirsch (Chicago: Chicago University Press, 1988 ), pp. 161–207; “Stoker’s counterfeit gothic: Dracula and theatricality at the dawn of simulation,” Bram Stoker: History, Psychoanalysis and the Gothic , ed. William Hughes and Andrew Smith (New York: St. Martin’s Press, 1998), pp. 205

in Men with stakes