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character of fiction, an allegory of Life. Through renunciation both of established politics and of religious dogma, the Nowherians seem to have regressed, in an historical perspective, to a pre-capitalist, even a pre-Christian era, indeed to the legendary period when the Western world was inhabited by humans and fairies living in harmony.16 Laurent suggests that Morris engages in a kind of word-painting of landscapes in the novel, akin to how the visual arts successfully merge the moral and the political qualities of buildings and 192 Contemporary Chaucer across the