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Jeffrey Flynn
hard to deny the ‘special relationship between photography and humanitarianism’ ( Fehrenbach and Rodogno, 2015 : 4). Advances in technology, such as the portable Kodak introduced by George Eastman in 1888, secured this connection just before and after the turn of the nineteenth century, as images from multiple waves of Indian famine were disseminated (1876–78, 1896–97, 1899–1900) and ‘atrocity photographs’ distributed by The Congo Reform Association (1903–13) generated moral