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Decolonising public space
shore of the new empire, like Palinurus in Virgil's epic. The Heritage Interpretation Strategy was, we proposed, stuck in the melancholic phase of mourning. Its unbelievably detailed inventory of building parts, floor tiles, verandah units, soffit styles, degrees of stained glass evidenced an incapacity to let go, as if by reproducing the physical fabric indexically in the mind, the four residences could be completely reproduced like Platonic forms. In short, the familiar heritage paradox: to secure the past for the future, change must be leached out of it. If, we