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The Visual Politics and Narratives of Red Cross Museums in Europe and the United States, 1920s to 2010s
Sönke Kunkel

. The background, a painted canvas, showed a panorama of the destroyed city while in the foreground the drama of relief was illustrated through a three-dimensional model of the hospitals put up to help the wounded. Reflecting the state of the art in the museum world, the exhibit worked with electrical lights to stage and dramatize objects and used stained glass windows designed by Louis Tiffany of New York. In addition, the museum also impressed through large, portentous

Journal of Humanitarian Affairs
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Gender trouble in Siddiq Barmak’s Osama
Gabrielle Simm

’ forthcoming Collected Courses of the Hague Academy of International Law; Daniel Litwin, ‘Stained Glass Windows, the Great Hall of Justice of the Peace Palace’ in Jessie Hohmann and Daniel Joyce (eds), International Law’s Objects (Oxford: Oxford University Press , 2018 ) 463 ; Aoife Duffy , ‘Bearing Witness to Atrocity Crimes: Photography and International Law’ ( 2018 ) 40 Human Rights Quarterly 776 . 14 E.g. ‘Expert Medical Consulting for Film and Television’ , accessed 30 April 2019; ‘Being a Hollywood Science Consultant

in Cinematic perspectives on international law