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Dana Arnold

constant flux then we see how it changes its identity over time and consequently has fluid potential, capacities, and indeed uses within its field of cultural production at any given moment. Time lines I would like to begin by thinking about the significance of the line, which both of these graphic art forms, together with writing, have in common. 1 Certainly, the eighteenth-century understanding of the line stresses its protean nature. For instance, we might think about Dr Samuel Johnson’s (1709–84) Dictionary of the English Language first published in 1755

in Architecture and ekphrasis
R.M. Liuzza

Long before the invention of the mechanical clock, the monastic computes offered a model of time that was visible, durable, portable and objectifiable. The development of ‘temporal literacy’ among the Anglo-Saxons involved not only the measurement of time but also the ways in which the technologies used to measure and record time — from sundials and church bells to calendars and chronicles — worked to create and reorder cultural capital, and add new scope and range to the life of the imagination. Techniques of time measurement are deeply implicated in historical consciousness and the assertion of identity; this paper proposes some avenues of exploration for this topic among the Anglo-Saxons.

Bulletin of the John Rylands Library
Jerome de Groot

This article considers the childrens writer Alison Uttley, and, particularly, her engagements with debates regarding science and philosophy. Uttley is a well-known childrens author, most famous for writing the Little Grey Rabbit series (1929–75), but very little critical attention has been paid to her. She is also an important alumna of the University of Manchester, the second woman to graduate in Physics (1907). In particular, the article looks at her novel A Traveller in Time through the lens of her thinking on time, ethics, history and science. The article draws on manuscripts in the collection of the John Rylands Library to argue that Uttley‘s version of history and time-travel was deeply indebted to her scientific education and her friendship with the Australian philosopher Samuel Alexander.

Bulletin of the John Rylands Library
Kuba Szreder

Radical segments of the projectariat aim at → repurposing time machines of artistic → circulation . The → common is not only a material or immaterial resource but also a different arrangement of the → apparatuses that regulate the flow of social time. Artistic circulation is organised into patterns of what we can call the speculative time complex, which remixes future, present and past, removing all the moments in which human reflectivity and agency could potentially unfold, a phenomenon analysed by Suhail Malik and Armen Avenessian in

in The ABC of the projectariat
S. G F Brandon
Bulletin of the John Rylands Library
Bulletin of the John Rylands Library
Suzanne Cole

Following an extended period of neglect, the early 1840s saw a dramatic revival of interest in English church music and its history, which coincided with the period of heightened religious sensitivity between the publication of Newman‘s Tract 90 in early 1841 and his conversion to Roman Catholicism in October 1845. This article examines the activities and writings of three men who made important contributions to the reformation of the music of the English church that took place at this time: Rev. Frederick Oakeley; Rev. John Jebb and the painter William Dyce. It pays particular attention to the relationship between their beliefs about and attitudes towards the English Reformation and their musical activities, and argues that such important works as Jebb‘s monumental Choral Service of the United Church of England and Ireland (1843) are best understood in the context of the religious and ecclesiological debates that were raging at that time.

Bulletin of the John Rylands Library
Richard Wragg

In 1805 Susannah Middleton travelled with her husband, Captain Robert Middleton, to Gibraltar where he was to run the naval dockyard. Abroad for the first time, Susannah maintained a regular correspondence with her sister in England. Casting light on a collection of letters yet to be fully published, the paper gives an account of Susannah‘s experiences as described to her sister. Consideration is given to Susannah‘s position as the wife of a naval officer and her own view of the role she had to play in her husband‘s success. Written at a time when an officers wife could greatly improve his hopes for advancement through the judicious use of social skills, the Middleton letters provide evidence of an often overlooked aspect of the workings of the Royal Navy.

Bulletin of the John Rylands Library
James Pereiro

The article explores some aspects of the intellectual climate of the first half of the nineteenth century and the new ideas about race and national identity. These in turn help to explain contemporary changes in historical perspective, particularly in respect to the English Reformation. Disraeli‘s novels reflect the ideas of the time on the above topics and echo contemporary historians in their views on the Reformation, its causes, and the religious and social changes that it brought about.

Bulletin of the John Rylands Library
David Morris

George Clough‘s donation of old master prints raised the Whitworth Institute‘s collection to international standing. Simultaneously, it presented Manchester with a viewing experience that was possibly unique in Britain, and placed on permanent display one of the nations finest collections of engravings, etchings and woodcuts so as to offer a visual history of the medium of print. Clough had a special interest in Marcantonio Raimondi, collecting over forty prints by him at a time when such works commanded high prices. This article examines the history and composition of Clough‘s collection and its place in the collecting culture of northern England, and of Manchester in particular, around 1900.

Bulletin of the John Rylands Library