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James Baldwin in Conversation with Fritz J. Raddatz (1978)
Gianna Zocco

This is the first English-language publication of an interview with James Baldwin conducted by the German writer, editor, and journalist Fritz J. Raddatz in 1978 at Baldwin’s house in St. Paul-de-Vence. In the same year, it was published in German in the weekly newspaper Die Zeit, as well as in a book of Raddatz’s conversations with international writers, and—in Italian translation—in the newspaper La Repubblica. The interview covers various topics characteristic of Baldwin’s interests at the time—among them his thoughts about Jimmy Carter’s presidency, his reasons for planning to return to the United States, his disillusionment after the series of murders of black civil rights activists in the 1960s and 1970s, and the role of love and sexuality in his literary writings. A special emphasis lies on the discussion of possible parallels between Nazi Germany and U.S. racism, with Baldwin most prominently likening the whole city of New York to a concentration camp. Due to copyright reasons, this reprint is based on an English translation of the edited version published in German. A one-hour tape recording of the original English conversation between Raddatz and Baldwin is accessible at the German literary archive in Marbach.

James Baldwin Review
Open Access (free)
Bryony Dixon

fascinating decade for the film archivist. Technically speaking there was a lot going on: the end of the nitrate era, the development of wide-screen and novelty formats, the increasing use of colour, advances in sound recording technology, lighter more portable 16mm camera equipment, the coming of television. I am concentrating on the holdings of the British Film Institute’s National Film and TV Archive

in British cinema of the 1950s
Open Access (free)
Authorship, praxis, observation, ethnography
Paul Henley

customary and the everyday. At least in the English-language traditions of ethnography, ‘participant-observation’ involves learning the language of the subjects, so that it is possible not only to speak with them directly, but also to listen to third-party conversations. It involves not just the recording of what is laid out in official documents and formally codified sets of rules – if there are any – nor merely attending to what the subjects say, but also paying close attention to non-linguistic codes, to the ‘things that go without saying’, that is, to the non

in Beyond observation
Open Access (free)
The complexities of collaborative authorship
Paul Henley

the quality of the sound recording. Although the underlying methodology may have been highly participatory, the films themselves are only minimally reflexive: outside the context of interviews, there are only occasional references to the presence of the film-makers. In fact, even the interviews are more like oral testimonies than interviews in the sense that only on one occasion does one hear a question, and even that is posed by a local person rather than by the film-makers. In her account of making these films, Sarah Elder acknowledges that the

in Beyond observation
Mass graves in post-war Malaysia
Frances Tay

The violence visited upon British Malaya during the Japanese Occupation of December 1941 to August 1945 has prompted several historians to evoke comparisons with the atrocities that befell Nanjing. For the duration of three years and eight months, unknown numbers of civilians were subjected to massacres, summary executions, rape, forced labour, arbitrary detention and torture.

This chapter explores several exhumations which have taken place in the territory to interrogate the significance of exhumations in shaping communal collective war memory, a subject which has thus far eluded scholarly study. It argues that these exhumations have not been exercises in recording or recovering historical facts; rather they have obfuscated the past by augmenting popular perceptions of Chinese victimhood and resistance, to the exclusion of all other ethnic groups’ war experiences. As a result, exhumations of mass graves in Malaysia have thus far served as poor examples of forensic investigation; rather these operations highlight how exhumations can emerge as battlegrounds in the contest between war memory and historiography.

in Human remains and identification
Open Access (free)
Emotions and research
Hannah Jones, Yasmin Gunaratnam, Gargi Bhattacharyya, William Davies, Sukhwant Dhaliwal, Emma Jackson and Roiyah Saltus

lost bodily expression and vocal nuance. This is why some researchers work between an audio/visual recording and a transcript. Listening to or watching an interview or research interaction can enrich analysis, helping us to notice extra-linguistic data – when someone is being sarcastic or feels uncomfortable. This type of work is also more time-consuming, so needs to be addressed in the planning stages of a study. Dissemination is another

in Go home?
Open Access (free)
Paul Henley

of practical matters of cinematography, sound recording and editing, as well as regarding more abstract issues of an epistemological or aesthetic nature, their ultimate intentions and, importantly, their ethical posture regarding the subjects. Notes 1 Geertz ( 1988 ), 17–19. 2

in Beyond observation
Helen Brooks, Penny Bee and Anne Rogers

Chapter 8: Introduction to Qualitative Data Analysis Helen Brooks, Penny Bee and Anne Rogers Chapter overview Qualitative data includes a range of textual (e.g. transcripts of interviews and focus groups) and visual (photographic and video) data. During qualitative analysis researchers make sense of this data gathered from research. Analysing the data by looking for common themes (known as thematic analysis) is one of the most common ways in which to do this and involves examining and recording patterns within the data relating to a specific research question

in A research handbook for patient and public involvement researchers
Paul Henley

. Ethnographic film-making in the European colonial empires: German, French, British Among European nations maintaining global colonial empires in the early years of the twentieth century, one of the most active producers of films of ethnographic interest was Germany. In the very first years of the twentieth century, anthropologists in Germany were enthusiastic early adopters of the phonograph for recording music and language in the field and it has even been suggested that their interest in moving image cameras was initially to make films that could

in Beyond observation
A trialogue
Sybille Lammes, Kate McLean and Chris Perkins

paper, ­analysing the smell experience by recording individual data points such as the ‘smell name/ description’. Ten seconds later another smell walker may come along, sniff the identical bin and detect something completely different. There have been times when two people smelling inside the same bin at an identical moment in time will identify completely different smells, or nothing at all. During this particular walk in September 2014 two individuals simultaneously sniffed another bin; one noted no identifiable or perceptible odour, and the other picked out a minty

in Time for mapping