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Invisibility and erasure in The Two Merry Milkmaids
Chloe Porter

so invisibility is deployed as part of an anti-Catholic association between ‘religious faith’ and ‘sexual violence’, in a play that is otherwise markedly ambiguous in its attitude to religious controversy. 11 Many allusions to invisibility in early modern plays mockingly associate this visual state with superstition and deceit. In Thomas Middleton’s The Puritan

in Making and unmaking in early modern English drama