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Chloe Porter

Puppet Dionysius’ to ‘venture the cause on’t’ (5.5.33–7). Idolatrously entering into an argument with a puppet, Busy tells Dionysius that his ‘main argument against you is that you are an abomination; for the male among you putteth on the apparel of the female, and the female of the male’ (5.5.96–8). Busy here refers to one of the central objections to the theatre as an arena which staged transvestism

in Making and unmaking in early modern English drama
Open Access (free)
Masculinity, mortaliity and sexual politics
David Brauner

mother suggested by his misappropriation of her underwear leads to an inability to identify with her at all, an emotional estrangement that renders him anything but a ‘mother’s boy’. If Shimi’s transvestism seems to exist in an appositional relation to his brother’s homosexuality, his queer masculinity is also defined in opposition to male authority figures. As a child, his shame at his cross-dressing is compounded by his father’s beating and by his own internalisation of what the beating implied: ‘He didn’t feel a man in the presence of his father’ (48). As a young

in Howard Jacobson
Paul Henley

outside their normal social contexts and in a very abbreviated and reduced form. Even so, when these films are assessed in the light of the comparative ethnography and the historical accounts that have been published subsequently, they can yield valuable insights into the way of life of the subjects, some aspects of which would not have been available to the film-makers themselves. Thus, for example, without his being aware of it, Haddon's material appears to show that there was an element of transvestism in the traditional male initiation ceremony

in Beyond observation