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James Baldwin and the "Closeted-ness" of American Power
David Jones

This article reads the work of James Baldwin in dialogue with that of Eve Kosofsky Sedgwick. Taking its cue from Baldwin’s claim that Americans “live […] with something in [their] closet” that they “pretend […] is not there,” it explores his depiction of a United States characterized by the “closeted-ness” of its racial discourse. In doing so, the article draws on Sedgwick’s work concerning how the containment of discourses pertaining to sexuality hinges on the closeting of non-heteronormative sexual practices. Reconceptualizing Sedgwick’s ideas in the context of a black, queer writer like Baldwin, however, problematizes her own insistence on the “historical gay specificity” of the epistemology she traces. To this end, this article does not simply posit a racial counterpart to the homosexual closet. Rather, reflecting Baldwin’s insistence that “the sexual question and the racial question have always been entwined,” I highlight here the interpretive possibilities opened up by intersectional analyses that view race, sexuality, and national identity as coextensive, reciprocal epistemologies.  

James Baldwin Review
Open Access (free)
Intimacy, Shame, and the Closet in James Baldwin’s Giovanni’s Room
Monica B. Pearl

This essay’s close interrogation of James Baldwin’s 1956 novel Giovanni’s Room allows us to see one aspect of how sexual shame functions: it shows how shame exposes anxiety not only about the feminizing force of homosexuality, but about how being the object of the gaze is feminizing—and therefore shameful. It also shows that the paradigm of the closet is not the metaphor of privacy and enclosure on one hand and openness and liberation on the other that it is commonly thought to be, but instead is a site of illusory control over whether one is available to be seen and therefore humiliated by being feminized. Further, the essay reveals the paradox of denial, where one must first know the thing that is at the same time being disavowed or denied. The narrative requirements of fictions such as Giovanni’s Room demonstrate this, as it requires that the narrator both know, in order to narrate, and not know something at the same time.

James Baldwin Review
A Focus on Community Engagement
Frédéric Le Marcis, Luisa Enria, Sharon Abramowitz, Almudena-Mari Saez, and Sylvain Landry B. Faye

perceived chiefs and customary law as closer to communities than central government, but they called for reform ( Fanthorpe, 2006 ). On the eve of the Ebola outbreak, therefore, chiefs maintained their power but it was not unchallenged. Historical divisions between Americo- and African-Liberians have marked the fight for power and socio-political identities in Liberia ( Ellis, 1999 ). During the political instability of the 1980s and the fourteen years of civil war (1989–2003), these

Journal of Humanitarian Affairs
Lessons Learned for Engagement in Fragile and Conflict-Affected States
Logan Cochrane

. Notes 1 (accessed 7 January 2020). 2 The details are analysed in this article, as the categorization of ‘evaluation’ by ReliefWeb differs from that used in this report (being much more flexible) and the USAID search function appears to include text references to nations, and the results require assessment, as was done for the evaluation reports on South Sudan included in this study. Bibliography ACF [Action Against Hunger] . ( 2011 ), An Evaluation of ACF

Journal of Humanitarian Affairs
One Billion Rising, dance and gendered violence
Dana Mills

83 5 Dancing the ruptured body: One Billion Rising, dance and gendered violence I move the reader–​spectator to view the performance of a protest movement that calls on us to end violence against women through the power of dance. One Billion Rising, initiated by feminist author and activist Eve Ensler, calls for a global uprising on Valentine’s Day, utilising dance to protest against gendered violence. The impact of the movement has been far-​reaching and its scope ambitious. The site of the movement is the moving body upon which gendered violence is inscribed

in Dance and politics
Open Access (free)
Keeping up appearances
Kinneret Lahad

8 Time work: keeping up appearances Over the years that I have researched Israeli internet portals, I have detected a repetitive, periodical movement. As holidays like Rosh Hashana ( Jewish New Year’s Eve) and Passover, or widely commemorated romantic celebrations like Valentine’s Day approach, Israeli websites begin to publish a range of columns, written by and about single women, discussing their fears of being—and appearing to be—on their own over the holidays. This phenomenon is not unique to Israeli society, of course. One can easily find any number of

in A table for one
The unknowable image in The Winter’s Tale
Chloe Porter

Genesis. 35 Trevilian’s Miscellany and Great Book , for example, include a series of illustrations of creation scenes, accompanied with extracts from Genesis. One page in the Miscellany shows the emergence of Eve from Adam’s rib, presenting a view of this scene as shown in The Holie Bible of 1568, but which was also copied in various forms in England in decorative schemes and textiles

in Making and unmaking in early modern English drama
Neil Macmaster

segregation, bridal virginity and repudiation settlement (idda).43 This system of patriarchal control, in which all key decisions and power lay with the men of the kin group, inevitably determined the radical subordination of women. The key features of Algerian marriage law and custom on the eve of the 1959 French reform meant that young single women, or even pre-pubescent girls, would have a marriage arranged for them by the father or legal guardian (right of jebr).44 Although in reality the married woman might accrue significant authority and power within the private

in Burning the veil
Patrick Doyle

economic development because of victimisation by Crown forces. It also allowed the IAOS to position itself as a national institution for social and economic development on the eve of independence. Co-operation, nationalism and labour Co-operation and Sinn Féin Ireland caught the interest of a new wave of foreign investigators and journalists keen to understand the dynamics of political change after the Great War and the co-operative movement stood out among the motley forces at work. In part, the reason

in Civilising rural Ireland
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Gender and a new politics in Achebe
Elleke Boehmer

’s Anthills of the Savannah (1987) remains the culmination point of his achievement as a writer of fiction, as well as being an elaboration of his earlier novelistic interests. The novel is, as Ben Okri has remarked, Achebe’s ‘most complex and his wisest book to date’.2 Dealing in coded terms with Nigeria’s calcified power-elite, and the bankruptcy of its post-independence nepotistic politics, Anthills of the Savannah is in many respects a sequel to the penultimate novel A Man of the People (1966), which explored themes of political corruption and military takeover on the eve

in Stories of women