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) through choreographic responses to anti-state terrorism (Ulrike Meinhof by Johann Kresnik), dance during the Second World War, and dance and rights (focusing on works such as Victoria Marks’s Not About Iraq (2007)). All these analyses tackle choreographic works that have sought to elaborate and problematise issues discussed in words; very often, this is stated in the title of the piece. Kolb also states that the analyses in the book focus on twentieth-and early twenty-first-century Western stage dance (though she does leave some space for developments beyond it