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with the idea that art itself is now something whose very existence has been put in doubt by various manifestations of the avantgarde from Duchamp onwards, and by the anti-essentialist, radically historicised temper of much recent thinking. The fact is, though, that questioning of art as, say, a form of ideology is present more in aspects of Cultural Materialism and New Historicism than in many philosophically oriented approaches to the end of metaphysics. It is therefore not surprising that, despite his desire to circumvent metaphysics, Rorty has, in Romantic