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History, legend and memory in John Sayles’ Lone Star
Neil Campbell

deterritorialisation’ in which their identities are re-formed as acts of hybrid ‘becoming’. 43 In Sayles’ new history, knowing about the past is vital as a way forward rather than as something to dwell upon or be imprisoned by, existing as part of a multifaceted spatial appreciation of living in the West with its many stories and many peoples. The film challenges a world of borderlines and the oppressive weight of

in Memory and popular film