Search results

You are looking at 1 - 10 of 53 items for :

  • "national identity" x
  • Literature and Theatre x
  • Refine by access: User-accessible content x
Clear All
Open Access (free)
James Baldwin and the "Closeted-ness" of American Power
David Jones

This article reads the work of James Baldwin in dialogue with that of Eve Kosofsky Sedgwick. Taking its cue from Baldwin’s claim that Americans “live […] with something in [their] closet” that they “pretend […] is not there,” it explores his depiction of a United States characterized by the “closeted-ness” of its racial discourse. In doing so, the article draws on Sedgwick’s work concerning how the containment of discourses pertaining to sexuality hinges on the closeting of non-heteronormative sexual practices. Reconceptualizing Sedgwick’s ideas in the context of a black, queer writer like Baldwin, however, problematizes her own insistence on the “historical gay specificity” of the epistemology she traces. To this end, this article does not simply posit a racial counterpart to the homosexual closet. Rather, reflecting Baldwin’s insistence that “the sexual question and the racial question have always been entwined,” I highlight here the interpretive possibilities opened up by intersectional analyses that view race, sexuality, and national identity as coextensive, reciprocal epistemologies.  

James Baldwin Review
Searching for Black Queer Domesticity at Chez Baldwin
Magdalena J. Zaborowska

This essay argues for the importance of James Baldwin’s last house, located in St. Paul-de-Vence in the south of France, to his late works written during the productive period of 1971–87: No Name in the Street (1972), If Beale Street Could Talk (1974), The Devil Finds Work (1976), Just Above My Head (1979), The Evidence of Things Not Seen (1985), and the unpublished play The Welcome Table (1987). That period ushered in a new Baldwin, more complex and mature as an author, who became disillusioned while growing older as a black queer American who had no choice but to live abroad to get his work done and to feel safe. Having established his most enduring household at “Chez Baldwin,” as the property was known locally, the writer engaged in literary genre experimentation and challenged normative binaries of race, gender, and sexuality with his conceptions of spatially contingent national identity. The late Baldwin created unprecedented models of black queer domesticity and humanism that, having been excluded from U.S. cultural narratives until recently, offer novel ways to reconceptualize what it means to be an American intellectual in the twenty-first-century world.

James Baldwin Review
De-scribing Imperial identity from alien to migrant
Peter Childs

Culture and Imperialism (1993) that the imposition of national identity is implicit in the domestic novel in its boundaries, exclusions, and silences – the Imperial interstices of English society that Said’s contrapuntal reading can reveal by turning the narrative inside out, temporarily centralising its margins. Such emphases on borders, heterogeneity, and reading against the grain require analyses of national identity which move away from binaries of domestic and foreign, native and immigrant, belonging and alienation, and instead consider the people, cultures and

in Across the margins
Essays in popular romance
Editor: Nicola McDonald

This collection and the romances it investigates are crucial to our understanding of the aesthetics of medieval narrative and to the ideologies of gender and sexuality, race, religion, political formations, social class, ethics, morality and national identity with which those narratives emerge.

Open Access (free)
Author: Peter Morey

Rohinton Mistry is the only author whose every novel has been shortlisted for the Man Booker Prize. Such a Long Journey (1991), A Fine Balance (1995) and Family Matters (2002) are all set in India's Parsee community. Recognised as one of the most important contemporary writers of postcolonial literature, Mistry's subtle yet powerful narratives engross general readers, excite critical acclaim and form staple elements of literature courses across the world. This study provides an insight into the key features of Mistry's work. It suggests how the author's writing can be read in terms of recent Indian political history, his native Zoroastrian culture and ethos, and the experience of migration, which now sees him living in Canada. The texts are viewed through the lens of diaspora and minority discourse theories to show how Mistry's writing is illustrative of marginal positions in relation to sanctioned national identities. In addition, Mistry utilises and blends the conventions of oral storytelling common to the Persian and South Asian traditions, with nods in the direction of the canonical figures of modern European literature, sometimes reworking and reinflecting their registers and preoccupations to create a distinctive voice redolent of the hybrid inheritance of Parsee culture and of the postcolonial predicament more generally.

Open Access (free)
Theatre and the politics of engagement
Author: Simon Parry

This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from the spectacle of the Paralympics Opening Ceremony to Broadway musicals, from experimental contemporary performance and opera to educational theatre, Somali poetic drama and grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. It documents important examples of collaborative practice with extended discussion of the Theatre of Debate process developed by Y Touring theatre company, exploration of bilingual theatre-making in East London and an account of how grime MCs and dermatologists ended up making a film together in Birmingham. The interdisciplinary approach draws on contemporary research in theatre and performance studies in combination with key ideas from science studies. It shows how theatre can offer important perspectives on what the philosopher of science Isabelle Stengers has called ‘cosmopolitics’. The book argues that theatre can flatten knowledge hierarchies and hold together different ways of knowing.

Contemporary Irish and Scottish fiction
Glenda Norquay and Gerry Smyth

consequences, than the falsification of Scotland’s history initiated by Walter Scott’ (1999: 116). Scott, it is argued, was not alone in deploying the Jacobite cause and Highland culture to offer a distorting and empty symbolism of national identity, in a ‘project of sealing off the Scottish past as a source of contemporary political inspiration’ (Beveridge and Turnbull 1997: 95) and the continuing critical negotiations of his influence reinforce his key role in cultural representation (Kidd 1993; Nairn 1981; Pittock 1999). While Edgeworth and Scott therefore offer an

in Across the margins
Heidi Hansson

preoccupation with issues of national identity and the state of Irish society that informs so much of current criticism, which means that literature that ostensibly avoids these themes or addresses them only obliquely easily gets overlooked. Another explanation may be Enright’s fragmented storytelling, which means that themes are not always easily detected or obvious. It seems difficult to find a place for Enright in contemporary Irish criticism, though the primary reason for this appears to be the rather narrow concerns of the critics, not any reservations about the quality

in Irish literature since 1990
Open Access (free)
British masculinities, pomophobia, and the post-nation
Berthold Schoene

masculinist notions of man, self and nation. Although I develop no direct correspondence here, given the role that the ideology of ‘Englishness’ has historically played throughout these islands, I suggest that this critique of gender and national identity could be usefully adapted all across the Atlantic archipelago. The Union and Jack In striking contrast to Virginia Woolf’s cosmopolitan assertion in Three Guineas that ‘as a woman I have no country … As a woman my country is the whole world’ (1993 [1938]: 234), Antony Easthope writes in What a Man’s Gotta Do that ‘if I am

in Across the margins
Open Access (free)
David Brauner

Britain you feel anomalous’ ( Pfeffer 2013 ). These sentiments are echoed in The Making of Henry , in which the protagonist wonders if his girlfriend is ‘press[ing] American literature on him’ because on that side of the Atlantic ‘the Jews had taken on a version of the national identity . . . even shaped it . . . in their own image’, whereas in Britain Jews wanted only ‘to be left alone to notice nothing. And not be noticed noticing it’ ( 2005a : 146–47). On the other hand, Jacobson has at times affected a crude anti-Americanism, claiming that ‘[e]verything that comes

in Howard Jacobson