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performance art and Latin American political life. In the blurring of the line between performance and performativity, as outlined above, Taylor states that in this socio-political context, we need to understand practices such as civic disobedience, resistance, citizenship, gender, ethnicity and sexual identity, as performance , observing how they are ‘rehearsed and carried out daily in the public sphere’ (Taylor 2015 : 35). To understand them as performance is to see and recognise how performance also acts as an

in Performing the jumbled city
Open Access (free)
Ethnographic scenario, emplaced imaginations and a political aesthetic
Olivia Casagrande

, in the contestation of the celebration of masculinity even within the Mapuche culture. See the work of the artist Sebastian Calfuqueo, for example the performance You will never be a Weye and Alka Domo . 26 While this is not addressed in depth here, it should be noted that art, and more specifically performance art, has become an important tool for contemporary protests in different contexts worldwide (Werbner, Webb, Spellman-Poots, 2014 ; see also Mouffe 2007 ; Serafini

in Performing the jumbled city