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Corruption, community and duty in Family Matters
Peter Morey

Rohinton Mistry law’s earnest yet aggressive bedside devotions in the disturbing scene in which Yezad’s prayers and Daisy’s music seem to do battle over the mute, prostrate elder (FM, 433–5). Formally, the concern for past-present connections is played out through repetitions: Yezad comes to repeat Nariman’s father’s inflexible religious dogma; Murad’s non-Parsi girlfriend threatens a repeat of the parental estrangement of the earlier generation; and, at one point, Yezad unfairly accuses Roxana of neglecting the rest of her family in favour of her father, paralleling

in Rohinton Mistry