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Colonial body into postcolonial narrative

abbreviation NTH. Françoise Lionnet, Postcolonial Representations: Women, Literature, Identity (Ithaca: Cornell University Press, 1995), p. 20.

in Stories of women
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’s Writing (Bloomington: Indiana University Press, 1997), p. 5. Françoise Lionnet, Postcolonial Representations: Women, Literature, Identity (Ithaca: Cornell University Press, 1995), in particular pp. 2–4. Lionnet’s relational feminism also bears comparison with Avtar Brah’s feminist ‘politics of intersectionality’. Kadiatu Kanneh, African Identities: Race, Nation and Culture in Ethnography, PanAfricanism and Black Literatures (New York and London: Routledge, 1998), p. 154. See Brah, Cartographies of Diaspora, p. 176; Gayatri Spivak, ‘French feminism in an international

in Stories of women
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Postcolonial women writers in a transnational frame

: Routledge, 1998), pp. 62–4. See Doreen Massey, ‘Imagining globalization’, in Avtar Brah, Mary J. Hickman and Mairtin MacanGhaill (eds), Global Futures: Migration, Environment and Globalization (Basingstoke: Macmillan, 1999), pp. 27–44. Françoise Lionnet, Postcolonial Representations: Women, Literature, Identity (Ithaca and London: Cornell University Press, 1995), p. 2. As Jon Mee, ‘After midnight: the Indian novel in English of the 80s and 90s’, Postcolonial Studies, 1:1 (April 1998), 127–41, puts it, women writers strive to ‘have their say’ about who constitutes the

in Stories of women
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The cartographic consciousness of Irish gothic fiction

, Gothic Ireland , pp. 182–90. Diane Long Hoeveler contested such views, querying attempts to read a Catholic agenda in The children of the abbey and, indeed, in female gothic as a whole; ‘Regina Maria Roche's The children of the abbey : contesting the Catholic presence in female gothic fiction’, Tulsa studies in women's literature , 31.1/2 (2012), 137–58.

in The gothic novel in Ireland, c. 1760–1829