Search results

You are looking at 1 - 4 of 4 items for :

  • phenomenology x
  • Literature and Theatre x
  • Manchester Medieval Studies x
  • User-accessible content x
Clear All
Open Access (free)
On Anglo-Saxon things
James Paz

theorists such as Jane Bennett, whose concept of ‘thing-​power’ in Vibrant Matter (2010) seeks to ‘acknowledge that which refuses to dissolve completely into the milieu of human knowledge’ while aiming to ‘attend to the it as actant’.10 Even more recently, Ian Bogost’s Alien Phenomenology (2012) situates things at the centre of being and advocates the use of metaphor in philosophy as a means of glimpsing things as they exist outside of human consciousness.11 The work of Levi Bryant (2011) puts entities at all levels of scale on equal ontological footing and Timothy Morton

in Nonhuman voices in Anglo-Saxon literature and material culture
Open Access (free)
Daniel C. Remein and Erica Weaver

ourselves’, and yet also insist that ‘reading Beowulf , even after all these years is not like talking to an old friend’. 16 And yet, even though the poem offers itself up to questions of old friends very naturally, intimacy is rarely articulated openly as a guiding critical framework. Many times when intimacy is invoked in places where we would expect to see it – in queer theory, affect studies, and theories of sensation or phenomenology – it functions metaphorically as a descriptor of a certain kind

in Dating Beowulf
Elisabeth Dutton

is claimed to either be the only real source and substance of all drama or fundamental to none of it. 21 Thinking very particularly about the bread and wine of the Mass, Sofer considers differing theological positions on the phenomenology of the Mass that can offer ‘distinct models for understanding how objects become signs on stage without effacing their material being’: the Catholic doctrine of transubstantiation; the Lutheran doctrine of consubstantiation in which the host is both bread and flesh; and the

in Enacting the Bible in medieval and early modern drama
James Paz

Ingold, Being Alive, pp. 15–​32. 44 Ingold, Being Alive, pp.  30–​1. In this section, Ingold is critiquing Christopher Tilley’s The Materiality of Stone:  Explorations in Landscape Phenomenology (Oxford: Berghahn, 2004). 45 Orton and Wood with Lees, Fragments of History, p. 142. 46 ‘Swan’: Ferdinand Holthausen, ‘Anglosaxonica Minora’, Beiblatt zur Anglia, 36 (1925), 219–​20; ‘quill pen’:  F.  H. Whitman, Old English Riddles (Ottawa:  Canadian Federation for the Humanities, 1982), pp.  144–​8; ‘figurehead’:  see Williamson, Old English Riddles of the Exeter Book, pp

in Nonhuman voices in Anglo-Saxon literature and material culture