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Open Access (free)
Ian Scott and Henry Thompson

2 Politics Introduction The problem in America is that we don’t apologise, and we don’t learn. The protests against the Iraq War worldwide were enormous. I don’t think Americans got a sense of the protest or the damage in Iraq at all. The protests were not that big a story in the USA. The American press report on every story from an American viewpoint. It is what comes naturally to them. It’s not done out of malice; they don’t know any better.1 In his introduction to an episode of the PBS programme Open Mind, recorded in January 1992, host Richard Heffner

in The cinema of Oliver Stone
Open Access (free)
Moving beyond boundaries
Author: Dana Mills

Dance has always been a method of self- expression for human beings. This book examines the political power of dance and especially its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement using dance to protest against gendered violence, dabkeh in Palestine and dance as protest against human rights abuse in Israel, the Sun Dance within the Native American Crow tribe, the book focuses on the political power of dance and moments in which dance transgresses politics articulated in words. Thus the book seeks ways in which reading political dance as interruption unsettles conceptions of politics and dance.

Screening Victoria
Steven Fielding

When British politicians complain that television dramatists have failed to produce a native equivalent of The West Wing – that is, a series about politics that presents its practitioners as noble and effective – they forget one vital detail. 1 President Jed Bartlet, the central protagonist in the NBC series, which in the United States ran from 1999 to 2006, is a head

in The British monarchy on screen
Contemporary ‘British’ cinema and the nation’s monarchs
Andrew Higson

imagine the monarchy, and in so doing forge a particular sense of British national identity. Heritage is not politically neutral – heritage artefacts, events and representations always carry with them particular ideas about how we might view the past, and how the past might be used in the present. One of the most vital features of Britain’s royal heritage is the sense of longevity and tradition; to mobilise

in The British monarchy on screen
Rape and Marriage in Go Tell It on the Mountain
Porter Nenon

To consider how James Baldwin resisted racialized notions of sexuality in his first novel, Go Tell It on the Mountain, I employ a number of black feminist critics—including Saidiya Hartman, Patricia Williams, Hortense Spillers, and Patricia Hill Collins—to analyze three under-studied minor characters: Deborah, Esther, and Richard. Those three characters are best understood as figures of heterosexual nonconformity who articulate sophisticated and important critiques of rape and marriage in America at the turn of the twentieth century. Baldwin thus wrote subversive theories of race and sexuality into the margins of the novel, making its style inextricable from its politics. Baldwin’s use of marginal voices was a deft and intentional artistic choice that was emancipatory for his characters and that remains enduringly relevant to American sexual politics. In this particularly polarizing transition from the Obama era to the Donald J. Trump presidency, I revisit Baldwin’s ability to subtly translate political ideas across fault lines like race, nationality, and sex.

James Baldwin Review
Art, authorship and activism
Authors: Ian Scott and Henry Thompson

This book charts and analyses the work of Oliver Stone – arguably one of the foremost political filmmakers in Hollywood during the last thirty years. Drawing on previously unseen production files from Oliver Stone’s personal archives and hours of interviews both with Stone and a range of present and former associates within the industry, the book employs a thematic structure to explore Stone’s life and work in terms of war, politics, money, love and corporations. This allows the authors both to provide a synthesis of earlier and later film work as well as locate that work within Stone’s developing critique of government. The book explores the development of aesthetic changes in Stone’s filmmaking and locates those changes within ongoing academic debates about the relationship between film and history as well as wider debates about Hollywood and the film industry. All of this is explored with detailed reference to the films themselves and related to a set of wider concerns that Stone has sought to grapple with -the American Century, exceptionalism and the American Dream, global empire, government surveillance and corporate accountability. The book concludes with a perspective on Stone’s ‘brand’ as not just an auteur and commercially viable independent filmmaker but as an activist arguing for a very distinct kind of American exceptionalism that seeks a positive role for the US globally whilst eschewing military adventurism.

Open Access (free)
If Beale Street Could Talk, 2019
Bill Schwarz

I reflect on the place of If Beale Street Could Talk in the corpus of Baldwin’s writings, and its relationship to Barry Jenkins’s movie released at the beginning of 2019. I consider also what the arrival of the movie can tell us about how Baldwin is located in contemporary collective memories.

James Baldwin Review
James Baldwin’s Pragmatist Politics in The Fire Next Time
Courtney D Ferriter

In The Fire Next Time, James Baldwin argues that the American dream is far from being a reality in part because there is much Americans do not wish to know about themselves. Given the current political climate in the United States, this idea seems just as timely as it did in the 1960s. Baldwin’s politics and thinking about race and religion are informed by an optimistic belief in the human capacity to love and change for the better, in contrast with Ta-Nehisi Coates, the heir apparent to Baldwin’s legacy. Considering current events, it seems particularly useful to turn back to The Fire Next Time. Not only does Baldwin provide a foundation for understanding racism in the United States, but more importantly, he provides some much-needed hope and guidance for the future. Baldwin discusses democracy as an act that must be realized, in part by coming to a greater understanding of race and religion as performative acts that have political consequences for all Americans. In this article, I examine the influence of pragmatism on Baldwin’s understanding of race and religion. By encouraging readers to acknowledge race and religion as political constructs, Baldwin highlights the inseparability of theory and practice that is a hallmark of both pragmatism and the realization of a democratic society. Furthermore, I argue that Baldwin’s politics provide a more useful framework than Coates’s for this particular historical moment because of Baldwin’s emphasis on change and evolving democracy.

James Baldwin Review
James Baldwin, the Religious Right, and the Moral Minority
Joseph Vogel

In the 1980s, James Baldwin recognized that a major transformation had occurred in the socio-political functions of religion. His critique adapted accordingly, focusing on the ways in which religion—particularly white evangelical Christianity—had morphed into a movement deeply enmeshed with mass media, conservativepolitics, and late capitalism. Religion in the Reagan era was leveraged, sold, and consumed in ways never before seen, from charismatic televangelists, to Christian-themed amusement parks, to mega-churches. The new movement was often characterized as the “religious right” or the “Moral Majority” and was central to both Reagan’s political coalition as well as the broader culture wars. For Baldwin, this development had wide-ranging ramifications for society and the individual. This article draws on Baldwin’s final major essay, “To Crush the Serpent” (1987), to examine the author’s evolving thoughts on religion, salvation, and transgression in the context of the Reagan era.

James Baldwin Review
Joseph Vogel

This review article charts the general direction of scholarship in James Baldwin studies between the years 2016 and 2017, reflecting on important scholarly events and publications of the period and identifying notable trends in criticism. Surveying the field as a whole, the most notable features are the “political turn” that seeks to connect Baldwin’s social insights from the past to the present, and the ongoing access to and interest in the Baldwin archive. In addition to these larger trends, there is continued interest in situating Baldwin in national, regional, and geographical contexts as well as interest with how he grapples with and illuminates issues of gender and sexuality.

James Baldwin Review