Search results

Catherine Akurut

Excellent Engagement? Collaborating Critically to Amplify the Voices of Male Survivors of Conflict-Related Sexual Violence ’, Institute of Development Studies , IDS Bulletin , 47 : 6 , 37 – 54 . Edström , J. , Dolan , C. , Shahrokh , T. and

Journal of Humanitarian Affairs
Uses and Misuses of International Humanitarian Law and Humanitarian Principles
Rony Brauman

ICRC held a roundtable in Geneva on ‘Translating humanitarian law into military tactics’. The aim was to consider how to conduct military operations within the limits of IHL and, in particular, to ponder appropriate, effective and yet legally acceptable rules of armed engagement. The four panellists included two military legal advisors (from NATO and the United States) and a colonel. While this may seem extremely cynical, the effort to better incorporate IHL into military

Journal of Humanitarian Affairs
Marie-Luce Desgrandchamps, Lasse Heerten, Arua Oko Omaka, Kevin O'Sullivan, and Bertrand Taithe

March 1968 [ Farmar, 2002] . Canadian engagement with the crisis was reliant on similar, faith-based connections. The links that Presbyterians, for example, had established in the East in the 1950s – including, importantly, with some of the Biafran leadership – were significant in the birth of Canairelief in late 1968 [ Bangarth, 2016] . The major British NGOs – particularly Oxfam and Save the Children – also worked alongside, and provided funding for projects run by

Journal of Humanitarian Affairs
Open Access (free)
Humanitarianism in a Post-Liberal World Order
Stephen Hopgood

decolonisation to which it led, the ‘complex emergencies’ of the 1990s created policy problems with which they have often allowed humanitarians to deal. This created a kind of ‘plausible deniability’ consistent with neoliberal principles that stress privatisation and the shrinking of public bureaucracy. This provides a convenient answer to the question of what is being done and a simple way to maintain an arms-length relationship between engagement in messy political problems and denial (give money, award projects, do not do it yourself, blame others

Journal of Humanitarian Affairs
The Law and Politics of Responding to Attacks against Aid Workers
Julia Brooks and Rob Grace

‘acceptance’-based modes of operation, making it difficult for humanitarians to undertake the types of engagements necessary to develop and sustain fruitful relationships with key local actors. It is perhaps due to the aforementioned conceptual distinctions – between not only ‘deep’ versus ‘shallow’ but also mitigating vulnerabilities versus confronting threats – that humanitarians have largely embraced ‘acceptance’ as the desired security management strategy. The most effective security management strategy, it seems, would be to create buy-in from local actors for

Journal of Humanitarian Affairs
Sophie Roborgh

that objectives of analysis, advocacy and accountability bring to gathering and engagement with data on attacks. Although often executed to a certain extent by the same teams, these objectives engage very differently with the monitoring of attacks. If we want data suited to these different objectives, including the oft-overlooked objective of witnessing as a valuable activity in itself, a critical perspective on our current monitoring practice is needed as well as practical steps to

Journal of Humanitarian Affairs
From the Global to the Local
Elena Fiddian-Qasmiyeh

.M. Qasmiyeh, personal communication, 15 September 2018). 6 See www.refugeehosts.org . 7 For critical engagements with the concept, policy and practice of ‘self-reliance’, see Fiddian-Qasmiyeh (2015) , Fiori and Rigon (2017) and Easton-Calabria and Omata (2018) . 8 Palestinians have often been highly critical and wary of the UNRWA’s role, intentions and implications, including rejecting it as a Eurocentric institution which censors Palestinian history, politics and priorities

Journal of Humanitarian Affairs
Politics and popular culture

The relationship between politics and popular culture is often seen to take one of two forms. Either popular culture is seen to disengage or passify citizens; or it is portrayed as a source of political knowledge and expression. Such claims are rarely subjected to detailed scrutiny. From Entertainment to Citizenship is an attempt to make up this deficit by examining carefully how popular culture’s politics is understood and used. Focusing on the lives and experiences of 17-18 year olds in the UK, it explores the extent to which these young people use popular culture to think about and engage with politics. The book compares the political role of different forms of popular culture (video games, music and entertainment television), and it considers different dimensions of the relationship. It looks at the phenomenon of the ‘celebrity politician’, at popular culture as a source of knowledge about the ‘real world’ and at the group identities forged around the pleasures of music, TV and video games. We conclude that popular culture is an important source of knowledge about the world, that it helps forge identities and the interests associated with them, and it gives form to the evaluations of power and its exercise. Rarely, though, does this interplay of politics and popular culture happen in neat or straightforward ways.

Theory and practice

Considering how to communicate your research or engage others with the latest science, social science or humanities research? This book explores new and emerging approaches to engaging people with research, placing these in the wider context of research communication. Split into three sections, Creative Research Communication explores the historical routes and current drivers for public engagement, before moving on to explore practical approaches and finally discussing ethical issues and the ways in which research communication can contribute to research impact.

Starting from the premise that researchers can and ought to participate in the public sphere, this book provides practical guidance and advice on contributing to political discourse and policymaking, as well as engaging the public where they are (whether that is at the theatre, at a music festival or on social media). By considering the plurality of publics and their diverse needs and interests, it is quite possible to find a communications niche that neither offers up bite-sized chunks of research, nor conceptualises the public as lacking the capacity to consider the myriad of issues raised by research, but explains and considers thoughtfully the value of research endeavours and their potential benefits to society.

It’s time for researchers to move away from one-size fits all, and embrace opportunities for creative approaches to research communication. This book argues for a move away from metrics and tick box approaches and towards approaches that work for you, as an individual researcher, in the context of your own discipline and interests.

Abstract only
Documentary theatre in twenty-first-century Russia
Author: Molly Flynn

Since the early 2000s, Russia’s most innovative theatre artists have increasingly taken to incorporating material from real-life events into their performance practice. As the Kremlin’s crackdown on freedom of expression continues to tighten, playwrights and directors are using documentary theatre to create space for public discussion of injustice in the civic sphere and its connections to the country’s twentieth-century past. This book traces the history of documentary theatre’s remarkable growth in Russia since its inception in 1999 and situates the form’s impact within the sociopolitical setting of the Putin years (2000–). It argues that through the practice of performing documents, Russia’s theatre artists are creating a new type of cultural and historical archive that challenges the dominance of state-sponsored media and invites individuals to participate in a collective renegotiation of cultural narratives. Drawing on the author’s previous work as a researcher, producer, and performer of documentary theatre in contemporary Russia, Witness Onstage offers original insight into the nature of the exchange between audience and performance as well as new perspectives on the efficacy of theatre as a venue for civic engagement.