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Sequence and the rise of auteurism in 1950s Britain
Erik Hedling

In 'Angles of Approach', Lindsay Anderson delivered a fierce attack on contemporary British film culture, outlining a model for a devoted politics of creation, well in line with what we would later understand as auteurism and art cinema aesthetics. Anderson was one of the editors of the journal Sequence, a continuation of the Oxford University Film Society magazine, along with, from time to time, for instance, Gavin Lambert, Penelope Houston and Karel Reisz. Auteurism and art cinema, for good and for bad, came to dominate the European cinema after the 1950s. For bad, it possibly caused, as Angus Finney claims in The State of European Cinema, disastrous financial decline in comparison to the American cinema. For good, it created some of the greatest cinematic masterpieces.

in British cinema of the 1950s