Abstract only
Alexandra Warwick

This article examines the prevalence of Gothic in contemporary culture and criticism. It suggests that the description Gothic’ has become widespread in the aftermath of Derrida‘s work Spectres of Marx and that this threatens to undermine Gothics usefulness as a critical category. In examining contemporary culture it identifies the notions of trauma and mourning in the popular imagination as having contributed to a condition where Gothic no longer expresses the anxiety of the fragmented subject, but reaches towards a valorisation of damaged subjectivity.

Gothic Studies