This chapter investigates Catherine Deneuve's films of the 1970s; their role in shaping her star persona and the ways in which they position Deneuve in relation to French political culture. It argues that Deneuve's inconsistent approach to feminist issues during the 1970s can be seen as a metonymical of the wider contradictions inherent to France's political culture during this decade, specifically in terms of the conflict that existed between liberalism and conservatism. France and its government's contradictory approach towards the condition of women's lives during the 1970s will provide a contextual background to Deneuve's own engagement with feminist discourses during this decade. The chapter explores the diversity of Deneuve's 1970s filmography through three key films: A nous deux, Courage fuyons and Zig zig. It also considers how Deneuve's contradictory star persona manifests itself within these films, and how each text might signal varying degrees of anti-feminism.