Featuring essays from some of the most prominent voices in early medieval English studies, Dating Beowulf: studies in intimacy playfully redeploys the word ‘dating’, which usually heralds some of the most divisive critical impasses in the field, to provocatively phrase a set of new relationships with an Old English poem. This volume presents an argument for the relevance of the early Middle Ages to affect studies and vice versa, while offering a riposte to anti-feminist discourse and opening avenues for future work by specialists in the history of emotions, feminist criticism, literary theory, Old English literature, and medieval studies alike. To this end, the chapters embody a range of critical approaches, from queer theory to animal studies and ecocriticism to Actor-Network theory, all organized into clusters that articulate new modes of intimacy with the poem.
What would it mean to ‘date’ Beowulf? And what do we learn when we try? This playful pun on one of the more controversial terms in the scholarship on this poem allows a consideration of the range of intimacies generated by it as well as a conditioning of both the poem and its scholarship. Accordingly, this introductory chapter seeks to get intimate with Beowulf, drawing on critical discussions of affect, queer historiography, and contemporary literary theory in order to form a kind of dating profile that serves as a conceptual framework for the various modes of intimacy in and with the poem that emerge throughout the volume. Dating Beowulf coheres as a project in presenting a new set of readings – both critical and personal – that aim to generate new avenues of discussion for an Old English poem too often mired in critical impasses, and this opening essay frames the conversation accordingly, highlighting the various couplings and methodological approaches on display, while articulating the relevance of the early Middle Ages to affect studies and vice versa.