This chapter explores the visual and textual representation of the aged veteran during the long nineteenth century. Rather than providing a social historical account of the lived experiences of elderly former soldiers and sailors, it considers how these men were imagined and consumed, how they came to represent the conflicts in which they had fought, and how they were made and remade to accommodate new narratives. The analysis is divided into three main parts. First, it explores the dynamics of remembering and forgetting, showing how, while many aged veterans were indeed forgotten by both the public and the state, the figure of the forgotten veteran was, paradoxically, the subject of considerable literary and artistic meditation. Secondly, it examines the generational qualities of the representation of the aged veteran and the ways in which he was figured as an exemplar and progenitor for the inheritance of military, masculine and moral values. And thirdly, it considers the issues of materiality and performativity, demonstrating how the imaginative power of the aged veteran was shaped by his body, his material adornment and even, on occasion, his public performance.
This collection explores the role of martial masculinities in shaping nineteenth-century British culture and society in a period framed by two of the greatest wars the world had ever known and punctuated by many smaller conflicts. Bringing together contributions from a diverse range of leading scholars, it offers fresh, interdisciplinary perspectives on an emerging field of study. Chapters in this volume draw on historical, literary, visual and musical sources to demonstrate the centrality of the military and its masculine dimensions in the shaping of Victorian and Edwardian personal and national identities. Focusing on both the experience of military service and its imaginative forms, it examines such topics as bodies and habits, families and domesticity, heroism and chivalry, religion and militarism, and youth and fantasy. The collection is divided into two sections: ‘experiencing’ and ‘imagining’ military masculinities. This division represents the two principal areas of investigation for scholars working in this field. The section on experience considers the realities of military life in this period, and asks to what extent they produced a particular kind of gendered identity. The second section moves on to explore the wider impact of martial masculinities on culture and society, asking whether nineteenth-century Britain can be regarded as a warrior nation. These two sections ultimately demonstrate that the reception, representation and replication of masculine values in Britain during this period was far more complex than might be assumed.